The Perfume Affair

07/05/2017 19:26
The Perfume Affair
 
Although Britney Spears` pop videos promoting her career as a song and dance performer mightn`t on initial screening appear to be connected in terms of message, there are signs that the material has a definite shaped expressiveness. Her first real chart success was `... Baby One More Time` (1998), which employed the term `hit` to effect insofar as chart topping recordings are called `hits` by the music industry, although beaten wives, abused children,  and those who`re abused by drug pushers, so that they become addicts, also use the term to describe physical or narcoleptic attacks:
 
`Boy, you got me blinded ... 
Hit me baby one more time.`1
 
 
 
 
 The promotional `... Baby One More Time` video in which Britney appears dressed as a schoolgirl in uniform, as well as a high school or college student engaged in athletic pursuits in a gymnazium, is directed at those who find children sexual, that is, pedophiles. Or, in simple terms, the artist is aware that `hit` refers to the abuse of women and children by men, either directly physically, or indirectly through drugs like `cocaine` or `crack cocaine`, which, respectively, are ingested through the nose and smoked; to induce a feeling commonly described as a `hit`. In short, `... Baby One More Time` is an anthemic cry from the hearts of a generation against an older generation, and indeed it presents the pop song as a form of abuse too, that is, artists and fans are `hit` addicts, which identifies the societal problem. Those who`re addicted to `hits` are maladapted.
 
 
 
 
 Why it is that society has so many problems productive of psychopathological activity is explainable. Like most female pop stars Britney`s promotional videos feature costume changes in which the singing star appears as a different character or simply in a changed guise that adds further interest to the material being purveyed. In `Oops! ... I Did It Again` (2000) Britney appears to be duplicated by the magic of camera technology, for example. The science fiction setting on the red planet, Mars, features an astronaut wearing a spacesuit of the type and style worn by the first man to set foot on the moon, Apollo 11`s Neil Armstrong, a success of the North American Space Administration (NASA) Apollo space program, and which occurred on July 21, 1969, UTC: 2. 56: `One small step for a man, one giant leap for mankind.`2 Britney`s spaceman is identified for the viewer by `Mission Control` on Earth as `Mars lander`. Captured by the beauty, he has a hook placed in his backpack by Britney in a red pilot`s suit and is hoisted by means of a pulley to where he is able to look down upon a second Britney in a white bikini dress to record her for those watching on Earth with the camera eye attached to his space helmet: `I made you believe we're more than just friends.`3 The veiled meaning to Britney`s lyric is that she`s a member of her species of `woman`s seed`, which is reproductive, and that`s why there`re two Britneys, whereas the spaceman visitor is, at best, only a friendly `alien`, who wants to film her race`s sexual enslavement.
 
 
 
 
 In the promotional video for `Lucky` (2000), Britney is `Lucky Star`, who is attentively cared for by several other Britneys in her dressing room while she prepares for the Academy of Motion Picture Arts and Sciences` (AMPAS) awards` ceremony at which she receives an Oscar statuette: `Best actress, and the winner is Lucky. I'm Roger Johnson for Pop News standing outside the arena waiting for Lucky. Oh my god here she comes!` Because futanarian women can sexually reproduce within the species of women, the duplicated Britneys explain society`s maladaptation:
 
`She's so lucky, she's a star,
But she cry, cry, cries in her lonely heart, thinking;
"If there's nothing missing in my life,
Then why do these tears come at night?"`4
 
 
 
 
 Taught that women aren`t a single species independent of ring slavery, and in `Oops! ... I Did It Again` Britney underlines her species` independence by descending inside a single giant`s ring to her stage set, daughters are raised to be the host womb slaves of aliens, which is why Britney raises what appears to be a romper-suited infant by means of a hook and pulley so that he can look down on a member of her race. Even though it`s conceivable that the human futanarian nature of `woman`s seed` can also produce men from the host womb of her species, that`s Christianity, whereas men`s host womb slavery of the human race in parasitism is Satanism. Or, as Britney`s lyric to her single, `Boys` (2001), succinctly puts it: `Can`t live with `em, can`t live without `em.`5 Britney appears on the cover of the single, `Piece Of Me`, from the Blackout (2007) album in the place of Jesus `Christ`, `the chosen`, crucified, because women have been blinded by Satanism, as Britney`s first chart success, `... Baby One More Time`, indicated: `Boy you got me blinded.` In simple terms, if women can be prevented from sexually reproducing with each other through their own futanarian species` penis` semen then their human race won`t produce any brains connected to eyes, so humanity will be blind, because its desire for vision won`t be related to its own brains, but that of the Satanists, who don`t want God`s humankind to see.
 
 
 
 
`Piece Of Me` is another play on words, that is, Judas Iscariot received `thirty pieces of silver` from the Romans for betraying Jesus, a Jew, to the Jewish `religious police`, the Pharisees, as a `dissident` for teaching the human futanarian species of `woman`s seed`: `Love your neighbor as you love yourself.` (Mk: 12. 31) In Judaism a Jew can only be born of a woman, that is, women are Jews, so it`s a futanarian religion, which Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, emphasizes. In gunland, a `piece` is a gun, while in chess or jigsaw puzzles a piece is what is, respectively, moved or missing, before everything is resolved. Colloquially, `a piece` is a derogative term for a woman, and in the promotional video for the song, `Criminal` (2011), Britney is seen holding up a store with a gun. She`s Everywoman because she`s a member of the human futanarian species of `woman`s seed`, so for her and her sisters kept in the dark there`s a piece missing, that is, the woman`s penis and knowledge of it suppressed by the `black mass` media of human sacrifice to host womb slavery to manufacture humans as pieces in war games by rich Satanists definable as aliens making a `snuff film` of a race reincarnated from semen not its own: `I'm in love with a criminal.`6
 
 
 
 
 Jesus `Christ`, `the chosen` amongst the Jewish `chosen people` of the Bible, after his death by crucifixion on the hill of Calvary outside the city of Jerusalem, where he was nailed to a cross of wood by agents of the Roman Empire then occupying Jewish Palestine and left to die, experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. Consequently, Britney Spears` lyrics to `Piece Of Me` lament women`s fate as pieces, that is, members of a race that`s persecuted and crucified by the `black mass` media as slaves disobedient towards their alien `death camp` guards:
 
`I'm Miss bad media karma;
Another day another drama.
Guess I can't see no harm
In working and being a mama,
And with a kid on my arm
I'm still an exceptional earner;
And you want a piece of me?`7
 
 
 
 
 During the 1930s, after the German National Socialist (Nazi) Party was elected in 1933, up to 20 million Jews were exterminated in `death camps` by guards beneath the ancient fasces` symbol of Rome, `a bundle` with an ax, which reflected both on the carpentry that erected the wooden cross of Jesus as well as the bundles of Jewish corpses stacked like logs awaiting incineration because of men`s fear of the human futanarian species of `woman`s seed` sexually reproducing men and women from the race`s host wombs rather than the alien slaver. In parasitology, a parasite that emerges from the host to kill it is termed `parasitoid`, which is what unredeemed men are in their wars against the human species. In Hollywood, district of Los Angeles in the west coast state of California, which became the capital of the United States of America`s global media Empire, the `Hays code` (1930) established by WIll Hays, President of the Motion Picture Producers and Distributors of America (MPPDA), banned women`s mode of sexual reproduction from being seen and employed the euphemism of describing the human futanarian species of `woman`s seed` as a `foot` to brain damn the race in thrall to alien `seed`: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`8 In short, the Second World War (1939-45) wasn`t fought to liberate the Jews, but for world supremacy, and `woman`s seed` was the casualty of slavery, which was the goal of the supremacists.
 
 
 
 
 When Judas, who was known for stealing from the collection plate after a sermon by the Jewish Messiah, found Jesus alone with a woman, who was anointing his feet with the expensive perfume, `spikenard`, which Britney Spears` alludes to in the lyric to her song, `Perfume` (2013): `And while I wait I put on my perfume, yeah I want it all over you.`9 Judas` `spy canard` was that the perfume should be sold to raise money, but Jesus demurred: `Leave her alone.` (Mk: 14. 6) Judas didn`t want Jesus` `woman`s seed` to sexually reproduce, that is, Jesus was born from his  mother, the Virgin Mary, uncontaminated by male semen, so  the betrayed Jesus` feet were nailed together at the foot of the cross as a symbol that the futanarian race wouldn`t run and escape slavery, and in fact Britney gives the man who is betraying her with another woman in the promotional `Perfume` video a ring made from a single nail, which Judas made sure nailed Jesus` feet together to prevented his `seed` from running the human race. Of course, in the place of Jesus on the cross for the cover of the `Piece Of Me` VCD, Britney is a front runner for election.
 
 
 
 
 In Christian iconography the Virgin Mary is depicted crushing the head of the serpent with her foot, because futanarian `woman`s seed` is capable of sexually reproducing the brainpower the human race needs to escape its enslavement and run amid the planets among the stars of heaven above the Earth: `Near the cross of Jesus stood his mother, his mother's sister, Mary the wife of Clopas, and Mary Magdalene.` (John: 19. 25) If a woman is fertilized by a futanarian woman with her penis` semen, another futanarian woman is needed to fertilize her, which is why there are three Marys at the foot of Jesus` soon-to-be resurrected body before his Ascension, and there are several Britneys in the `promo vid` surrounding the star in `Lucky`, because man born of women is `the son of Man` and not, as the Roman guard, Longinus said, who speared Jesus` side with his spear while looking to make sure that another Eve wasn`t going to emerge from the `Second Adam`, Jesus: `Surely, this was the son of God.` (Matt: 27. 54) God, of course, was the Creator, who created the first man, Adam, in the paradise of heaven on Earth that was Eden and from whose side emerged Eve, the first woman, created therefrom by God also. In Judaism, Adam is often depicted as a hermaphrodite, that is, a futanarian woman, so Eve is understandable as a product of the human futanarian race`s survival trait of self-fertilization.
 
 
 
 
 Also in Eden was the angel, Satan, who was turned into a `serpent` by God and left there after he rejected God`s plan that the human host should be greater than the angelic. Because saurian evolution took place on Earth during the Mesozoic period 248 m.a. before hominids appeared 220 m.a. during the Jurassic period, it seems likely that the angels in God`s heaven are saurians, who were oviparian, that is, they laid eggs, while Satan and the `rebel angels` were those who sought to enslave the human host for war games: `You shall be as gods.` (Gen: 3. 5) Eve and Adam were persuaded by Satan to accept the `fruit of the tree of the knowledge of good and evil`, which it was death to taste, and God expelled the pair from Eden for rejecting the `fruit of the tree of life`, that is, immortality through sexual reproduction between members of their own race. God tells Eve her `seed` will have `enmity` with the `serpent`s seed`, although Redemption for her race will occur: `You will crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) The brains of the human race are better than the saurian, which isn`t futanarian `woman`s seed`, although the slavers will seek to keep the human species imprisoned on Earth.
 
 
 
 
 On March 23, 1982, US` President Ronald `Ray Gun` Reagan announced his `Strategic Defense Initiative` (SDI), which was a `ground and space based` missile system named `star wars` for the Hollywood science fiction movie, Star Wars: A New Hope (1977), featuring a `Death Star` that was placed around planets by the evil Empire of Palatine to kill them. In short, Neil Armstrong had stepped onto the neck of the human futanarian race of `woman`s seed` for humanity`s beheading at the `Sea Of Tranquility`, which is the name of the Shekinah, the female `spirit of God`, to the Moslem nations of the people of Islam, whose four wife marriages sanctioned by the Koran (610-30 C.E.) dictated to Mohamed by the angels of God, according to Islamic tradition, afford the possibility of human futanarian sexual reproduction between women within the Moslem family, who derive from Abraham, whose son, Isaac, founded Judaism, while his second son, Ishmael, founded Islam though his descendant, Mohamed. The reason for the distinction between Judaism and Islam is Sara, Abraham`s wife, who gave her maid, Hajer, to Abraham, because Sara was barren after Isaac`s birth. Hajer bore Ishmael, and Judeo-Christianity perceives Islam, which arose after Jesus` birth, death, and Ascension, as illegitimate, because she wasn`t married to Abraham, while Moslems are perceived as allowing four wives to a marriage as a means of legitimizing Ishmael`s birth, whereas the four wives are an expression of humanity`s futanarian valence and Judeo-Christianity`s monogamy encourages slave-ringing.
 
 
 
 
 `Shekinah` is the term given by Jews to the female `spirit of God` in the Old Testament of the Christian Bible, that is, the law and history of the `chosen people`, which is the Torah and Talmud of the Jews, before the teaching of Jesus` New Testament also came to be accepted by Christianity. Although Eve was from the anthropos Adam`s rib, according to the Old Testament, she`s a figure of the `spirit of God`, while Jesus` teaching is of a `Holy Spirit` that will teach after him and so Longinus` piercing of the side of Jesus after his death occurred because the Roman Empire feared the female `spirit of God`, that is, the Shekinah, would emerge from the rib of Jesus, `the Second Adam`, and teach `woman`s seed` how to break the yoke of slavery upon her back: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) The media capital, Hollywood, is often labeled `Babylon`, who was `a woman`, according to the prophetic Revelation of Jesus` disciple John, who gave her name to the capital city of the ancient Persian Empire (c. 4000 B.C.), that is, Babylon is a figure of the slaving of the spirit of women`s futanarian race, which Jesus` `Holy Spirit`, who is called `Shekinah` in Judaism and `tranquility` in Islam, would educate to liberate.
 
 
 
 
 At the outset of the 21st century, the Al Qaeda terrorist group operating under the auspices of the notoriously misogynist Taliban regime in Afghanistan, and led by Osama Ben Laden of Saudi Arabia, where the Haj or pilgrimage in honor of Hajer to the shrine of Abraham in Mecca is an obligation to be fulfilled at least once in the lives of Moslems in Islam, crashed hijacked civil airliners into the Twin Towers of the World Trade Center in New York City, New York state, on September 11, 2001, to re-establish host womb slavery of the human race for parasitoid devouring in war by the alien. At least since the days of ancient Greece when womb slavery for homosexuality in pederasty for war was institutionalized, the alien had been waging its war against `woman`s seed`. By the late 20th century ancient Greece`s `biological weapon`, the `incurable killer disease`, HIV/AIDS, spread by men`s mixing blood, shit and semen in each others` anuses in rejection of women and humankind`s `woman`s seed`, had been successfully launched: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was disenfranchise the human futanarian species of `woman`s seed` by removing at least 33.3% of the race in pogroms: `Let he that has wisdom have understanding. The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 8) Without futanarian `woman`s seed`, the `beast` is men and women at 66.6%, that is, `666`. The medium of the `beast` is television invented by John Logie Baird in 1926 to broadcast `live` pictures of the single male brained creature wearing each others` clothes in `TV` transvestism waging war on the human race for the entertainment of the alien, which had introduced the HIV/AIDS virus as a parody of the `Holy Spirit` to infect and kill the brain of the human race before `woman`s seed` could sexually reproduce the brainpower she needed to escape the enslaving parasitoid devourer keeping women in fearful faithfulness to monogamy`s ring slavery.
 
 
 
 
 Britney Spears` `Toxic` (2004) was a song about HIV/AIDS, which features her as a superheroine breaking into a top secret facility to steal a serum and climb spider-like up the wall of an apartment building to go in through the window and pour it into the mouth of the man she straddles on the bed. At the beginning of the promotional video Britney is seen as an air stewardess wearing what appears to be a blue Thunderbirds` uniform familiar to movie goers that year, 2004, when the film version of the British television puppet show, Thunderbirds (1965-66), was released with real actors and actresses in the roles of the Tracey family and their retainers, who operate the five International Rescue (IR) craft from Tracey Island; the rocket, Thunderbird 1, and the transporter, Thunderbird 2, with its `pod` that often carries Thunderbird 4, a submarine dropped into the ocean, while Thunderbird 5 space station, serviced by the spaceship, Thunderbird 3, directs operations from outside the Earth`s atmosphere.
 
 
 
 
 In her Thunderbirds` uniform in the `Toxic` video Britney is seen kissing a man in a toilet, after he`s removed a latex rubber mask, which reveals him to be younger than the middle-aged flatus he`d seemed. She`s acting as a secret agent to steal a device in a `rubbery John` scene, that is, an electronic key, which will give her access to a top secret installation, but It`s an obvious allusion to HIV/AIDS, and the advice that a rubber condom must be worn with unfamiliar sex partners to minimize the risk of contact with the viral killer, although kissing didn`t transmit the HIV/AIDS virus. In effect what the scene meant was that HIV/AIDS was just as likely to be transmitted by someone who looked good, whether the latex rubber condom was worn or otherwise.
 
 
 
 
 Changing from her Thunderbirds` role into her superheroine costume, Britney`s the be-leathered pillion seat passenger on a motorcycle with red hair and sunglasses being taken to the facility where she`ll steal the serum to give to the target subject. Upon completion she leaps from the window of the apartment to be instantly translated through the space-time continuum by the magic of `camera trickery` to where she`s restored in her role as the apparently undisturbed Thunderbirds` uniformed stewardess aboard the plane, which is seen hurtling through the sky to its foreordained destination after being involved in an International Rescue operation. Although the correlation with international terrorism seems tenuous, HIV/AIDS is an aspect of the `biological war` waged by homosexuality in pederasty for control of the human host womb, and the hijacking of the civil airliners on 9/11 by the terrorist group, Al Qaeda, was an aspect of that war, while the viral male `carried` unsuspectingly in the latex rubber mask in `Toxic` represents the ways in which the virus of homosexuality in pederasty for war against the human futanarian species of `woman`s seed` disguises itself in order to spread its contagion:
 
`I need a hit;
Baby, give me it.
You're dangerous;
I'm loving it.`10
 
 
 
 
 In the 20th century risk was associated with thrills but 9/11 revealed that the movie industry`s reliance on thrills and spills to attract cinema audiences had fulfilled Hollywood`s `Babylon` label when, `live on CNN` and other news networks, planes crashed into the Twin Towers. Most people thought they were watching a Hollywood movie and in fact the film World Trade Center (2006) starring actor Nicholas Cage emerged from the horror as a dubious `treat` for cinema-goers. Britney Spears` promotional video for the song, `Womanizer`, comments on the 9/11 horror, because the setting is an office building in which she has the role of a blonde housewife in an apartment and a dark haired desirable secretary during the song and dance routine as well as a waitress with red hair in sequences that apparently occur in the same high rise building, apart from the scene where blonde Britney is the chauffeur steering the driving wheel of the car with her `foot` before `disappearing` the guy from the office she`s apparently seducing in the back seat. The other two women are awaiting their arrival at the housewife`s apartment; the secretary and the waitress who, together with the chauffeur, are then transformed by camera `magic` into the housewife, who kicks the guy in the crotch and throws the bed coverlet over him. Like a scene from a stage magic show, the coverlet lies flat upon the bed and Britney smooths it. He`s gone. The woman remains. It`s a comment on the absence of `woman`s seed` in mainstream culture because of a `black mass` media prepared to sacrifice human futanarian nature for the sake of the thrills and spills of scenes like 9/11 `live on CNN` filmed as a horror movie by Hollywood, Babylon, to justify its programing humanity to act as a parasitoid alien towards its own race to entertain an alien consciousness. The uninformed audience sympathize with the guy, but Christians know that only `woman`s seed` produces men, that is, good looks and ignorance count for nothing when it comes to God`s judgment on the slavers of the human species who live well because they refuse to be educated:
 
`Look at you;
Gettin' more than just a re-up.
Baby you
Got all the puppets with their strings up.`11
 
 
 
 
 `Womanizer` takes place in an office building correlating the 9/11 hijack with sexual repression, that is, the people going on holiday were hijacked to force them back to work, or they`d have been having sex on holiday, which the people in the WTC doubtless would have preferred too. Because the human futanarian species of `woman`s seed` is host womb slaved for parasitoid war by an alien to entertain itself, the reduction of human levels of sexual intercourse is necessary for the alien`s pogrom: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) If `woman`s seed` doesn`t produce enough brainpower to raise her from the Earth to colonize the planets amongst the stars, she`ll be a slave to the alien parasitoid devourer for its wars against her race. Consequently, it`s in the interests of the alien to make sex taboo and even ban it per se, which it`s already done to the extent that women don`t even know, because they aren`t taught, that they`re the future of the human race because they`re the `remnant` of the futanarian species of `woman`s seed` slaved and pogromed by an alien since the dawn of history. Consequently, sex isn`t a `re-up` for addicts, where `re-up` means another `hit`, for example, the `Womanizer` video compact disk (VCD) bought by the consumer attracted by the singer`s sexual desirability aligned with the musical performance, but rather it`s Thunderbirds` International Rescue for those who don`t want to be puppets of an alien species` exterminator:
 
`Lollipop?
Must mistake me, you're the sucker;
To think that I
Would be a victim, not another.`
 
 
 
 
 
 Because men don`t usually want to be women, it suggests that women aren`t generally perceived as being humanly desirable; either to be - or to want - other than as host wombs for a parasitoid`s aspirations as a species` slaver to entertain itself in wars against her race. In the `Piece Of Me` promotional video Britney writes `SUCKER` on the forehead of a paparazzi trying to photograph her, and although it`s a term used for fellatio, it`s also used pejoratively to mean a human `leech`, or `parasite`, who lives off others, while the figure of the vampire of East European legend, deriving from the wars of Vlad Dracul of Wallachia (1428/31-1476/7), who impaled his captives bloodthirstily, is also depicted as a `bloodsucker`, who gains immortality by actually drinking the blood of its victims sucked through wounds made in the neck by incisor teeth. A stake in the heart is what vampires lack, because they want women only as parasites do. Consequently, a stake in the heart, that is, impalation, is how they`re described as being killed. It`s a transposition in which the penis of the woman is the stake that kills them, that is, Vlad, `the impaler`, was a typical parasitoid alien male, whereas the fictional character in the novel by Bram Stoker, Dracula (1897), presents the solution in symbolic form. If women can avoid being enslaved by a male they can sexually reproduce together the brainpower their species needs to escape being devoured by an irredeemably parasitoid evil nature. Or, as Britney Spears` lyric to `Womanizer` points out, because men have sought to extinguish her race of futanarian `woman`s seed`, she isn`t their `lollipop` from a sucker`s point of view, but rather men have been duped into becoming lame brains, without women to sexually reproduce with each other and bear men as true humans.
 
 
 
 
 Men want exclusive relationships with women against their will, which is the basis of human slavery, because women are a species with their own penis` semen. As Jesus said: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) For Jesus, `people` were like himself and his mother, the Virgin Mary, uncontaminated by male semen, that is, humans were to be born amongst the colonized planets amongst the stars from the sexual reproductive capacity of `woman`s seed` where all women have host wombs and futanarian women also have penis` semen to `seed` the cosmos with their progeny as quickly and effectively as God`s plan affords. Men don`t want to be a member of the species, they want to play with it, which is the nature of the evil pedophile, who wants to make `puppets` of children and force them to do what it is that they want. The result is war to entertain the alien parasitoid killer, and slavery in low level technology that traps the human individual in what is effectively a `labor camp`, where they`re worked to death, because the level of technological development is too low to permit them to escape from heavy labor in what is eventually perceivable as their `death camp` into a more restful socio-economic independence from slavery based on the liberation technologies such as computer science, rejuvenative medicine, and robotics could afford them.
 
 
 
 
 In a society based on brain damning and male braining to prevent human futanarian `woman`s seed` from sexually reproducing adult human brainpower, all humans are children, which is the aim of the pedophile, who wants to take advantage of each new generation sexually and economically, while planning to rid itself of opposition to its slavery by reestablishing war as a means of maintaining its pedophile mode. The 9/11 attacks on the World Trade Center, for example, were `rough trade`,12 which is a euphemism for that `brutality and violence` associated with homosexuality in pederasty for war against `woman`s seed`, which in the deserts of the Middle East, for example, is represented by the woman wearing the one-piece coverall of the burka in public, so that only her eyes are visible. Faced with the propaganda of Hollywood`s `black mass` media looking to sacrifice `woman`s seed` on the altar of the worship of women as penisless `babes` in the Babylon of the West, Moslem women in Islam conceal what remains of the human futanarian species of `woman`s seed` from the alien parasitoid progromer. Because Iraq`s dictator, Saddam Hussein, whose summer palace at Hillah overlooked the ruins of the actual Babylon, evinced support for Al Qaeda, the US invaded Iraq after toppling the Afghan Taliban regime in December 2001, and deposed him in March 2003, while Hussein`s successor with the rebels, Abu Bakr Al Baghdadi, declared himself Caliph of a new Caliphate in Islam, which theoretically included Jewish Palestine, and Baghdadi`s Iraqis, together with rebels in Syria, began to wage war there and against opponents wherever they could garner support for their virality.
 
 
 
 
 According to the ancient Greek poet, Homer, in his Iliad (760-10 B.C.), the city of Troy was captured by the Greeks` building a huge hollow wooden horse inside which they hid before the Trojans took it into the city where the Greeks emerged to enslave the host wombs of the women for homosexuality in pederasty for war against `woman`s seed`. By the 21st century the modern day Greeks, `the geeks`, had devised `bad machine code` they called `Trojan horses` to infect and kill the brains of computers, which were the memory of the now ephemeral race of humanity slaved in ignorant unconsciousness for war. Consequently, HIV/AIDS and the computer virus were paradigmatic of the bio-technological war being waged by homosexuality in pederasty against `woman`s seed` to maintain humans in ignorant unconsciousness by killing their brainpower and preventing `woman`s seed` from sexually reproducing intelligence enough to escape the alien parasitoid devourer. The term `geek` comes from circus `sideshows` where men ate chickens` heads as an entertainment for the crowds, while `circus` was used by the ancient Romans for the huge amphitheaters they built inside which people were killed for the entertainment of the Empire. In the modern era `circus` was used to describe the activity of espionage agents who killed people who saw what national governments and international organizations didn`t want them to. Consequently, circus `geeks` were men who devoured the brainpower of those members of the human race who were intelligent enough to escape from the general blindness, but all the alien parasitoid devourer of the brains of the species of `woman`s seed` had to do was accuse the intelligent of being spies and the modern day Greeks, that is, the `geeks`, would kill them; for example, between 1976 and 1979, Pol Pot, the Prime Minister of Democratic Kampuchea, initiated a pogrom against the intelligentsia, that is, city dwellers were made to move to agrarian areas to work on farms, where 25% of the population were exterminated to prevent them from living technologically more advanced lives in conurbations.
 
 
 
 In the promotional `scifi` video for the pop song, `Oops! … I Did It Again`, Britney`s spaceman discovers a head and shoulders portrait miniature of the song and dance star in the desert sand of the red planet, Mars, which is shaped like a `cookie`, because that`s how internet website urls - accessed through hypertext - provide access to users and protect themselves from unauthorized access; for example, http://www.britneyspearsarticles.com, is a hypertext url that affords access to those with the appropriate `cookie`, which in this case is a code affording users access to a website where articles can be found about Britney Spears, whose spaceman exclaims: `Whoah there horsey!` Because he represents the modern era`s `Greek`, that is, a `geek`, whose there to invade Britney`s domain, `Mars lander` is a `Trojan horse`. Just as the suspicious passenger in `Toxic` is discovered to be wearing a `rubber`, so the spaceman is wearing his designers` suit, a one-piece body-condom, similar to the women of Islam`s burka, and developed at the Philadelphia Navy Yard in the 1940s by science fiction writers; German aeronautical engineer, Robert A. Heinlein, who wrote the juvenile novel, Red Planet (1949), in which his protagonist, Jim Marlowe, discovers the native Martian fauna begin life as `bouncers`, and after death are `Old Ones`, Russian biochemist, Isaac Asimov, who has a Martian crater named for him, and aeronautical engineer, New Yorker, L. Sprague de Camp, who was a member of the all male literary club, `The Trap Door Spiders`.
 
 
 
 
 Euctenacidae are spiders that live in holes in the desert and lie in wait for prey, which accords with `Oops! … I Did It Again` as a part of Britney`s online `web` requiring a `cookie` to afford the spaceman access. There`s a juddering sound as Britney`s `trap` is sprung and her demesne emerges from beneath the sand. Britney Spears appears with her dance troupe, who`re supposedly the Martian `bouncers` that result in the astronaut`s ejaculation: `What the ..?` Heinlein`s `adult` Martians are three-legged, before they die and become `Old Ones`. That finds correspondence with H.G. Wells` War Of The Worlds (1895) in which `tripods` invade the Earth from Mars, but eventually succumb to the `common cold` virus as an instance of the predicting of future `biological warfare` in 19th century science fiction. As Willis is Heinlein`s `pet bouncer` in Red Planet, and bouncers have the peculiar ability to repeat sounds perfectly, like `a new Dana CD`, that is, an euctenacidae amongst the CDs of Lebanon, where Spears` look-alike Dana Halabi represents the pleasure to be had from `bouncers` of her own:
 
`Who crossed the line?
 
It has to be someone who doesn't live on this planet;
 
Someone that's living on a planet other than Earth:
 
He probably lives on Mars.`13
 
 
 
 
 Dana lives on Earth, rather than Mars, but the literary reference is to Tanar of Pellucidar (1929) in her song, `Any Service, O Pasha` (Ay Khedma Ya Basha,  أي خدمة يا باشا from her 2007 album, Enta Meen (Who Are You?) . Tanar Of Pellucidar is a novel by Edgar Rice Burroughs, who wrote Princess Of Mars (1912), which features Dejah Thoris, a `red princess`, who Britney in her red pilot`s suit corresponds to. Pellucidar is an underground world beneath the Earth, so Dana`s `a new Tanar seed`, that is, an euctenacidae for men, who think of Moslem women in Islam, beneath their black burkas, as `trap door` spiders, because they`re `underground` producers. In Heinleinian terms, Britney further corresponds to `Poddy`, Heinlein`s protagonist in Podkayne Of Mars (1963), a juvenile for girls. Its `Poddy beautiful`14 wants to be a `space pilot`, which is why Britney has a pilot`s body-suit in `Oops! … I Did It Again`. Boys` willies are presumed dangerous, because of HIV/AIDS` `biological weapon`, so just as `red princess` Dejah Thoris in Edgar Rice Burroughs` Princess Of Mars is `born from eggs`, which suggests she`s saurian and oviparian, so Willis in Red Planet is discovered to lay eggs: 'Willis IS important and it does matter that he's a she.`15
 
 
 
 
 Although Heinlein`s Red Planet was published in 1949, it was heavily cut to remove references to women as egg-laying saurians or humankind`s mammalian `woman`s seed`, as Jane Davitt suggests in her article `Blue Pencil` (2001). Davitt points out that the restored novel, published by Del Rey, didn`t appear until after the writer`s death in 1988: `Another major revision in the plot, linked again to what seems excessive prudery on the part of the editors, occurs when the boys are recuperating with the Martians and wake up to discover that Willis has apparently laid eggs during the night.`16 Because God`s angels remain in heaven, it suggests that the three-legged (if they`re resting on their tail) egg-laying saurians are God`s women too. In short, although human futanarian `woman`s seed` is God`s new host designed to be better than the angelic, the saurians posited to exist in heaven as extraterrestrial intelligences aren`t conceived by God`s plan as the enemies of the human race per se. Women are a mammalian futanarian race though, and boys aren`t told by male literary clubs, like de Camp`s `Trap Door Spiders`,17 that girls, like `Poddy`, will become `tripods`, as `woman`s seed` is the `third leg` that affords them the brainpower they need to develop technologies to run and escape men`s host womb slaving and brain damning in lame brained homosexuality in pederasty for parasitoid war against their race.
 
 
 
 
 
 When Britney, in her red pilot`s suit, winches the spaceman up to where he can look down upon herself reproduced in the `promo vid` for `Oops! ... I Did It Again`, to where she`s wearing a white bikini dress, in Heinleinian terms he`s a `tripod camera` filming Martian `Old Ones`. In the Koran of the Moslems in Islam, Jesus enters into paradise on Earth, because heaven on Earth isn`t distinguished from heaven amongst the colonizable planets amongst the stars, as it is in more technologically focused Judeo-Christianity, so Jesus` entry into heaven is depicted as a transition from the material world of Earth to the spiritual Realm there. Consequently, Islam is clearer. Jesus` torture is represented in Christianity as normative in order to force technological progress, whereas in Islam Jesus (Isa) is depicted as entering into the paradise of heaven on Earth without crucifixion, because human development isn`t seen as a concomitant of humans being tortured by parasitoid aliens, who want to torment them with the knowledge that they can`t escape because they`re damned without the brainpower to devise means of leaving Earth for heaven above.
 
 
 
 
 In Islam, the Moslem women have the understanding that they enter into the `Realm of the spirit` when old, which is what Jesus` `Holy Spirit` of his New Testament, that is, `tranquility`, the female Shekinah of the Old Testament of the Bible, or `spirit of God` in Judeo-Islam, is understood as having taught. In Christianity, the focus is rather on torturing the technologically disadvantaged, and blindly reincarnated humans, that is, a humanity generationally re-recorded with alien `seed`, despite the poor quality of the `copy`, to murder for the parasitoid`s entertainment. Tormented eternally with the impossibility of their being able to leave Earth for the planets amongst the stars of heaven, the human futananarian host of `woman`s seed` is taunted by the Satanist `devils` with its enslavement to a parasitoid alien devourer as a blindly ignorant helpless victim with the brain of the killler that seeks its extinction as its own.
 
 
 
 
 Because of God`s telling Eve her `seed` will have Redemption, which is comprehendable as the re-establishing of human immortality through medical science`s capacity to rejuvenate the aged, due to the development of advanced technological minds denied a humanity copied by alien `seed` in the endless perdition of generational reincarnations devised by the `devils` to torture the `remnant` of humanity, `redeemed` women wouldn`t expect to age, but rather relocate to an `alternative reality` defined by Judeo-Christianity as a `spiritual Realm`. Although God`s promise of perdition to the evil, that is, `eternal unendurable pain`, while the good receive `a new heaven and Earth`, seems to be what the alien parasitoid `devils` in Satanism have created through their copying of humanity in generational reincarnations to torment and kill, it isn`t `from God`.
 
 
 
 Although the aged and dying in torment aren`t `woman`s seed`, but rather men damn women in male braining, men and women, who aren`t futanarian humanity, decay and expire, or are killed in homosexuality in pederasty for war`s lame brained entertainments, which is non-consensual victimization. The evil devouring parasitoid alien `seed` sires human ephemerality in ignorance and unconsciousness to disguise its denial of immortal life to the human futanarian species of `woman`s seed`, because Satanist men and women want to ensure the continuance of Satan`s pogroming activities, which is how they worship evil, whereas the human race is being extinguished without its consent, and as a full participant, because the brain of the murderer has been transplanted into its own skulls to replace human consciousness.
 
 
1 Martin, Max `... Baby One More Time` Britney Spears ... Baby One More Time, Jive, 1999.
2 Armstrong, Neil https://en.wikiquote.org/wiki/Neil_Armstrong .
3 Martin, Max, Rami, Alexander Kronlund `Lucky` Britney Spears Oops! ... I Did It Again, Jive, 2000.
4 Martin, Max, Rami `Oops! ... I Did It Again` Britney Spears Oops! ... I Did It Again, Jive, 2000.
5 Hugo, Chad, Pharrell Williams `Boys`, Britney Spears Britney, 2001.
6 Amber Tiffany, Max  Martin, Shellback, `Criminal` Britney Spears Femme Fatale, Jive, 2011.
7 Åhlund, Klas, Christian Karlsson Pontus Winnberg `Piece Of Me` Britney Spears Blackout, Jive, 2007.
8 http://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .
9 Braide, Christopher, Sia Furler, Britney Spears, `Perfume`, Britney Spears Britney Jean, RCA, 2013.
10 Dennis, Cathy, Henrik Jonback, Christian Karlsson, Pontus Winnberg `Toxic` Britney Spears In The Zone, Jive, 2003.
11 Akinyemi, Rafael, Nikeshia Briscoe `Womanizer` Britney Spears Circus, Jive, 2008.
12 https://en.wikipedia.org/wiki/Trade_(gay_slang)#Rough_trade .
13 Halabi, Dana `Any Service, O Pasha` [Ay Khedma Ya Basha,  أي خدمة يا باشا ], Enta Meen (Who Are You?), 2007.
14 Heinlein, Robert A. Podkayne Of Mars, G. P. Putnam`s, 1963, Ch. 1, p.1.
15, Heinlein, Robert A. Red Planet, Del Rey, Ch. 14, `Willis`, 1986.
16 Davitt, Jane `Blue Pencil`, The Heinlein Journal, # 8, January, 2001.
17 https://en.wikipedia.org/wiki/Trap_Door_Spiders#Membership .
 
 When Britney, in her red pilot`s suit, winches the spaceman up to where he can look down upon herself reproduced in the `promo vid` for `Oops! ... I Did It Again`, to where she`s wearing a white bikini dress, in Heinleinian terms he`s a `tripod camera` filming Martian `Old Ones`. In short, women enter into the `Realm of the spirit` when old, which is what Jesus` `Holy Spirit` teaches. Because of God`s telling Eve her `seed` will have Redemption, hypothetically women don`t age, but they relocate to an `alternative reality`, which is defined by Judeo-Christianity as `the spiritual Realm`. Those who age and die aren`t `woman`s seed`, but rather men damn women in male braining, which is why men and women, who aren`t futanarian humanity, decay and expire, or are killed in homosexuality in pederasty for war`s lame brained entertainments for the evil devouring parasitoid alien that sires their ephemerality in ignorance and unconsciousness.
 
1 Martin, Max `... Baby One More Time` Britney Spears ... Baby One More Time, Jive, 1999.
2 Armstrong, Neil https://en.wikiquote.org/wiki/Neil_Armstrong .
3 Martin, Max, Rami, Alexander Kronlund `Lucky` Britney Spears Oops! ... I Did It Again, Jive, 2000.
4 Martin, Max, Rami `Oops! ... I Did It Again` Britney Spears Oops! ... I Did It Again, Jive, 2000.
5 Hugo, Chad, Pharrell Williams `Boys`, Britney Spears Britney, 2001.
6 Amber Tiffany, Max  Martin, Shellback, `Criminal` Britney Spears Femme Fatale, Jive, 2011.
7 Åhlund, Klas, Christian Karlsson Pontus Winnberg `Piece Of Me` Britney Spears Blackout, Jive, 2007.
8 http://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .
9 Braide, Christopher, Sia Furler, Britney Spears, `Perfume`, Britney Spears Britney Jean, RCA, 2013.
10 Dennis, Cathy, Henrik Jonback, Christian Karlsson, Pontus Winnberg `Toxic` Britney Spears In The Zone, Jive, 2003.
11 Akinyemi, Rafael, Nikeshia Briscoe `Womanizer` Britney Spears Circus, Jive, 2008.
12 https://en.wikipedia.org/wiki/Trade_(gay_slang)#Rough_trade .
13 Halabi, Dana `Any Service, O Pasha` [Ay Khedma Ya Basha,  أي خدمة يا باشا ], Enta Meen (Who Are You?), 2007.
14 Heinlein, Robert A. Podkayne Of Mars, G. P. Putnam`s, 1963, Ch. 1, p.1.
15, Heinlein, Robert A. Red Planet, Del Rey, Ch. 14, `Willis`, 1986.
16 Davitt, Jane `Blue Pencil`, The Heinlein Journal, # 8, January, 2001.
17 https://en.wikipedia.org/wiki/Trap_Door_Spiders#Membership .

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