The Crew See Fiction: Britney Spears` Toxic

08/08/2017 17:46

The Crew See Fiction: Britney Spears` Toxic

 

Science fiction writer, Robert A. Heinlein (1907-88), in his novel Job: A Comedy Of Justice (1985), observes that an airplane is a flying cruciform,1 that is, it represents the aspirations of technology since the crucifixion of Jesus `Christ`, `the chosen` who, during the occupation of Jewish Palestine by the Roman Empire, was taken to the hill of Calvary outside the city of Jerusalem and nailed to a cross of wood where he died, but experienced Resurrection and Ascension to heaven above the Earth. Consequently, the cruciform shape of the airplane is a symbol of the aspirations of humans to escape slavery, which was what the Romans represented for the `chosen people` of the Jews, whose ancient history was the Old Testament of the Bible called, in Hebrew, the Torah and Talmud, and superseded in Christian thinking, by Jesus` New Testament teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Usually, Jesus` supposedly celibate situation prior to his crucifixion is associated with the need to use the brain rather than the sex drive in order to rise from the Earth to heaven, which is represented by the cruciform airplane in modern times. However, Jesus didn`t recommend the cross. Appearing from inside the tomb where a stone had been rolled across the entrance to where the body was entombed, Jesus more properly corresponded to a television `TV` transmission from the aerial atop the hill of Calvary, where his crucifixion took place. Crews` see fiction is the modern translation for passenger airplanes, wherein new vistas are opened for those who can afford to travel. The danger is that enforced celibacy in slavery will prevent humans from colonizing the planets amongst the stars of heaven above, because airplanes are the zenith of technological aspiration in an era in which the B2 `Spirit` bomber is capable of delivering nuclear destruction across huge swathes of the planetary surface of the Earth, and the United States of America`s capacity for waging war is more than equaled by Russia, with its `Satan` intercontinental ballistic missiles (ICBMs), China`s arsenal, and those of many other nations. In simple terms, the age of the plane is likely to be the last, because it isn`t proselytized in Christianity that Jesus` birth from his mother, the Virgin Mary, represented the prefiguration of the Resurrection and Ascension to heaven of `woman`s seed`, that is, futanarian women, with their own penis` semen for the sexual reproduction between themselves of their own brains` powers to escape from Roman crucifixion which, as a punishment, wasn`t recommended as a method by the supposedly celibate Jesus, but it was implemented in slavery as castration; or the worship of celibacy to give the slaves nothing to do other than work for their master.

 

 

 Although Jesus is called `Master` by his disciples, it`s a title more in keeping with that bestowed upon science fiction writers; for example, Robert A. Heinlein, was awarded the first `Grand Master` title in 1975 by the Science Fiction and Fantasy Writers of America (SFWA), after the completion of Time Enough For Love (1973), a novel whose protagonist, Lazarus Long, takes his name from the New Testament Lazarus, who appeared resurrected by Jesus after the stone was rolled away from in front of the tomb: `Lazarus come out.` (John: 11. 43) Heinlein`s Long is all but immortal although, barring unforeseen accidents, due to advanced developments in medical science and rejuvenation technology, his continuance would be assured. Jesus` own Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` defines him as a science fiction `Master`, because he represents the perception that characters, like Lazarus Long, live in a false paradigm created by slavers. Consequently, science fiction writers support slavery, because of the absence of `woman`s seed` in literature per se. What literary texts describe is the penetration of the female by the male, which extends to the launching of ICBMs to destroy the Earth. In parasitology, the parasite that emerges from the host womb to kill the host is termed `parasitoid`, which is what men do: `The dragon stood before the woman who was about to give birth to devour her child the moment it was born.` (Rev: 12.4) The child of the Earth is `woman`s seed`, which is why Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her `foot` in Christian iconography, that is, her futanarian species of `woman`s seed` produces stronger brains than the `serpent`s seed` of unredeemed men. The concept of Redemption is important because those who accept `woman`s seed` are redeemed, according to Jesus` teaching, that is, man born of women, which is why Jesus says there aren`t any slave rings in heaven, because in nature women are a single unowned species: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) Originally, the dragon was the serpent that grew after poisoning Eve, the first woman created by God, according to the Bible, which brought death to her descendants in exchange for the power offered by Satan, the angel turned into a serpent by God for rejecting God`s plan that the human host be greater than the angelic. As saurian evolution 248 m.a., preceded human evolution, which began 220 m.a., the `serpent`s seed` of Satan were parasites on the human host womb, which capacity to sexually reproduce its own species of `woman`s seed` brainpower, was extinguished by the slaving race to entertain itself with human extinction in war: `You shall be as gods.` (Gen: 3. 5) In other words, the poisons of the serpent were the boy sons of Eve`s daughters who, as saurian enslavers, exterminated woman`s own futanarian species of `woman`s seed`, through their demoniacal possession of the human host`s womb. The reason for the Bible being presented as a difficult text is because it can`t be understood without the simplest of explanations, which is that it`s about the extinction of the human race prior to its Resurrection and Ascension to the planets amongst the stars above the Earth through brainpower liberated after slavery to the saurians: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Rev: 12. 17) Or, in other words, Satan`s `serpent`s seed` is the science fiction narrative that Jesus began to compete against as an unacknowledged `Grand Master`, before his screws` e-fiction, that is, the prison slavers` electronic fiction, which is that ICBMs electronically launched at the press of a button aren`t aimed at destroying the `remnant` of the human species of `woman`s seed` to keep her in slavery and ensure that she won`t escape.

 

 

 The science fiction video for the pop song, `Toxic`, from the album In The Zone (2003), and featuring music and lyrics sung by their performer, Britney Spears, neatly encapsulates the biblical narrative, which is that of a species succumbing to further contamination by the `serpent`s seed`. Launching its `biological weapon`, HIV/AIDS, the `incurable killer disease` of the late 20th century, spread by men`s mixing of blood, shit and semen in each others` anuses in mockery of women`s human mode of sexual reproduction, the `serpent`s seed` of men ensure the fearful faithfulness of `woman`s seed` in ring slavery to her parasitical enslaver: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was institutionalize homosexuality in pederasty for war in host womb enslavement of `woman`s seed` since at least ancient Greece, which was after held to be `the model of democracy`: `Let he that has wisdom, have understanding. The number of the beast is the number of a man and his number is six hundred three score and six.` (Rev: 13. 8) The voting capacity of the human race, without `woman`s seed`, is reduced to 66.6% contaminated by the brain slaver, which results in the brain hemorrhaging of warfare perpetrated by alien minds upon a human race forever degenerating without `woman`s seed` to restore it. Britney Spears` `Toxic` video features the star as a red haired super heroine who infiltrates a top secret laboratory to appropriate a phial. She then climbs the side of an apartment building to pour the liquid into the mouth of a man on the bed there. The implication is that it`s a serum for HIV/AIDS, that is, an anti-toxin for what`s toxic. What`s curious is the translation Britney Spears undergoes from air stewardess aboard a passenger airliner to black leather clad pillion seat passenger wearing shades on her way to the facility where the serum is kept. It`s similar to what happens in Heinlein`s Job: A Comedy Of Justice where unforeseen sudden dislocations in the space-time continuum rock the protagonist`s perceptions of the nature of reality:

 

`Taste of your lips
I'm on a ride
You're toxic I'm slippin' under
With a taste of a poison paradise

I'm addicted to you
Don't you know that you're toxic?`2

 

 

 Science fiction, and literature generally, mocks men, like gods, because its premise is that men want women and success, whereas they destroy those who do, which results in the parasitoid devouring of nations and, ultimately, planets. Heinlein`s Job: A Comedy Of Justice spoofs men`s lack of progress without `woman`s seed`, because genre conventions, determined by the alien mind seeking to make human activity taboo, deny progress to the species. As Heinlein`s protagonist, Alex, approaches success in his life with partner, Margaret, there`s an inconveniently timed insertion into a new `alternate reality`, which is described by the omnipotent author as a `world change`. The repeated misfortunes adjudged to be engineered by a malevolent entity identify the hero, Alex Hergensheimer, with the biblical Job, who was victimized by God, because Satan tempted God to victimize him. In fact, Satan appears in the novel as `Jerry from Texas`, who plays `cat and mouse` with Alex, along with the other gods of the Earth, including Loki and Odin of Nordic mythology, because Margrethe believes in the ancient Norse gods and goddesses. It`s as if someone is gaming with a mouse`s curser using a computer, that is, Alex and Marga are cursed by the `gamer`. In the Mexican Empire, for example, they make money but, after a `change`, it`s the Mexican Republic, where their money is valueless. Britney Spears` `Toxic` postulates that finding a cure for HIV/AIDS is thwarted by the gods, because it facilitates slavery. The biblical Job is victimized by God, according to developmental psychologist, Carl Gustav Jung, in his Answer To Job (1952), because he`s forgotten something, and that`s why Satan`s laughing. Although Jesus isn`t a repeat of Job`s victimization by God, it does represent what God forgot, that is, `woman`s seed`. In simple terms, Satan reminds God of the `enmity` he said Eve`s `seed` would have with the serpent`s until Redemption would occur: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) Eve`s futanarian `woman`s seed` produces better brains, which will facilitate her escape, although the `serpent`s seed` will endeavor to prevent her leaving Earth. The passenger airliner in Britney Spears` `Toxic` is cruciform, that is, the `crew` can `see` she has `form` as an air stewardess, while the cover for the single, `Piece Of Me`, from the album Blackout (2007), emphasizes Britney`s role in the place of Jesus, whose crucifixion was arranged by his disciple, Judas, for `thirty pieces of silver`, because Judas saw Jesus with a woman, and suggested the `perfume` be sold to raise money, while Jesus demurred: `Leave her alone.` (Mk: 14. 6) Judas had Jesus killed for being `woman`s seed`, so a threat to the male brained Empire of slavery through war, and host womb parasitism in institutionalized homosexuality in pederasty, which is what western civilization had been since ancient Greece`s supposedly `democratic` institutions were adopted as normative by the planet. The serpent`s seed`s crucifixion of Jesus meant that the slaving crew`s fiction would be seen, rather than Jesus`, which is what Heinlein`s Job: A Comedy Of Justice spoofs:

 

`Guess I can't see no harm

In working and being a mama;

And with a kid on my arm

I'm still an exceptional earner:

And you wanna piece of me?`3

 

 

 If the `serpent`s seed` of unredeemed men and women, wearing each others` clothes in male brained `TV` transvestism for the parasitoid alien to watch itself kill the human species of `woman`s seed` in televised warfare, don`t accept Jesus` teaching of Redemption, that is, acceptance of man born of women, Satan`s bamboozled God. Aboard Britney Spears` airliner is a man, who she reveals is wearing a latex rubber mask in the toilet, where she takes him for an anticipated liaison, but she exposes him, and secretly steals the device that will later give her super heroine access to the lab, after the transition sequence reminiscent of a `world change` from Heinlein`s Job: A Comedy Of Justice. The difference is that Britney`s `world change` is helpful, so it`s Christian, that is, God`s remembered, and Redemption is a fact, but only if `woman`s seed` is accepted. In the promotional video for the song, `Lucky` (2000), from the album Oops! … I Did It Again, Britney appears several times with what appear to be her selves, which is at least suggestive of the possibility of human reproduction, so she`s a proselytizer within a genre that has made `woman`s seed` taboo to maintain her in host womb slavery for the production of men`s wars against her `remnant` upon the Earth. At the outset of the 21st century, terrorists hijacked cruciform passenger airliners to crash into the Twin Towers of the World Trade Center in New York city, United States of America, which suggested that homosexuality in pederasty`s reestablishment of `rough trade` with the Islamic states, represented by the notoriously misogynist Taliban regime of Afghanistan`s support for Al Qaeda, `the base`, terrorist group which, operating under their auspices, was led by the Saudi Arabian business heir, Osama Ben Laden. The US` response was to deploy B2 `Spirit` bombers which, using the stealth technology contained within their manta ray shaped fuselages, represented an improvement on the B1 `Bones` built in 1973, and commented upon by Jesus` disciple, John, in his prophetic Revelation of the future apocalypse: 'The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.' (Rev: 13. 15) Although John could be interpreted as referring to TV`s power, invented in 1926, to stimulate cinema, which emerged as a global power, after the film Old California made by director D. W. Griffith in 1910 in the district of Hollywood, city of Los Angeles, on the west coast of the state of California, to promote war as entertainment, the second beast could quite as easily be the B2. Seen on TV and cinema screens, the B2 inspires the makers of the B1 to improve, and that Satan`s crew see fiction, rather than Jesus`. Although Judeo-Christianity might be concerned with `woman`s seed`, so is Moslem Islam. Abraham`s son, Isaac, was the founder of Judaism, while his second son, Ishmael, was the founder of Islam through his descendant, Mohamed, who received the Koran (610-30 C.E.) from the angels, according to tradition, and is cited as the basis of the permission for Moslems to have four wives, so affording the possibility of human sexual reproduction between women and `woman`s seed` within the Islamic family. Christianity is taught that Islam is illegitimate, because Isaac was born of Sara, who was barren thereafter, while Ishmael was born of Sara`s maid, who Sara gave to Abraham, `the Egyptian woman`, which means that the Christians view the four wives of Islam as a retroactive attempt to legitimize Ishmael`s birth from an unmarried woman, whereas it`s an attempt to reestablish `woman`s seed`, and so avoid the crucifixion that`s the future Satan`s crew see for her in their `Grand Master` fiction.

 

1 Heinlein, Robert A., Job: A Comedy Of Justice, Del Rey, 1984.

2 Dennis, Cathy, Henrik Jonback, Christian Karlsson, Pontus Winnberg , `Toxic`, Britney Spears In The Zone, Jive, 2003.

3 Åhlund, Klas, Christian Karlsson, Pontus Winnberg, `Piece Of Me`, Britney Spears Blackout, Jive, 2007.

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